What is it about the music used in this clip, Title Music from A Clockwork Orange by Walter (now Wendy) Carlos, that makes so many companies want to claim the copyright?
If ever there was an example of fair use under copyright legislation surely this must be it! The music has so many resonances with the subject matter and is so obviously being used for the purposes of criticism, research, teaching, historical archiving and scholarship.
A TELEVISION documentary which painted an abysmal picture of Sunderland may discourage industrialists from moving to the town. It probably frightened off Argentinian soccer star Alex Sabella and it could spark a huge migration of youngsters.
So says Tory councillor Joseph Landau, who condemned last week’s BBC-2 Brass Tacks programme as one-sided and unbalanced.
Radio Times, 14 August 1979 BBC2 8.5-9.0 Brass Tacks Are The Kids Alright?
With unemployment running at twice the national average, and further redundancies in the shipyards, the age of leisure has come early for many of Sunderland’s youngsters.
Michael is 16, on the dole, and buying a £300 guitar on HP. His recently-formed group – The Rejected – is receiving encouragement from the local community theatre, which also faces redundancies as government cutbacks begin to bite.
In Sunderland the problems of youth unemployment are writ large. There are 40 percent fewer small businesses than the national average. The shipyards and coalmines are threatened with closure. Dole queues and boredom are the lot of many youngsters in the area.
In Are the Kids All Right?BRASS TACKS (BBC-2, 8.5) talks to the young unemployed of Sunderland including Michael, a 16-year-old whose dreams of making it are all centred on his £300 guitar and his new band, The Rejected.
by Stafford Hildred Birmingham Evening Mail 14 August 1979
“BRASS TACKS” (BBC 2, 8.5), the current affairs show that has pioneered viewer participation, would like to announce a modest success. The Monday evening chance for feedback from the show – “Return Call to Brass Tacks” – has been extended until the end of the series.
And calls following the weekly Tuesday evening documentary to local radio stations across the country are building up to a regular avalanche.